One reason Maynard was drawn to L.A. in the early 90's was to explore the possibilities of sacred temple architecture and regeneration. Thus it is perhaps easiest to sketch a brief history of Maynard through some of the elements within his living space. The floor has a formation that's round on both sides and hi in the middle that is best measured with the equation DV/D = I (I being incidence); and a pack of gum, mo' happiness, and the apostle. Examining the wall introduces art pieces by Ramiro Rodriquez and themes best grasped through being Jung in Michigan. At the window frame a hairless cat stares intently outside at squawking irish parrots swaying drunkenly. Coast to coast some things never change. In another direction is a calendar of crossed out squares with A Perfect Circle scribed on May 23rd and "NIN tour" written under April 12th.
